简介：The Power of Emotion explains that emotion isnt to be confused with sentimentality Emotion is ancient and more powerful than any art form The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decisionmaking A woman who has shot her husband provides a judge with a puzzle Those who love can bring the dead back to life by means of cooperation Thats the focus of the opera The Power Plant of Emotions and the Opera of the 20th Century cinema Alexander Kluge The Power of Feeling When I started working on The Power of Feeling I was not in a rational state I did not say I have a subject and now I will make a film about it Instead I was spellbound and observed in my direct surroundings for example how feelings move I have not really dealt with the theme of my mothers death and the fact that she was the one who taught me how feelings move Nor have I dealt with how she died That was an entire palette of feelings All feelings believe in a happy end and everyone believes tacitly that they will live forever The entire palette is somehow optimistic a positive attitude towards life having been put on the agendaas long as she was young as long as her body held out from one day to the next she collapsed She just suddenly collapsed like in an opera where disaster takes the stage in the fifth act It felt as if I had observed an air raid or a disaster The film The Power of Feeling is not about feelings but rather their organization how they can be organized by chance through outside factors murder destiny how they are organized how they encounter the fortune they are seekingWhat is all this organization of feelings about Generally feelings tend to be a dictatorship It is a dictatorship of the moment The strong feeling I am having right now suppresses the others For thoughts this would not be the case One thought attracts others like a magnet People therefore need affirmation by other people to be sure about their own feelings to counteract the acquisition of their feelings through outside forces Through the interaction of many people for example in public the various feelings also have a magnetic attraction to one another just like thoughts do Feelings communicate through their manifestation in public The cinema is the public seat of feelings in the 20th century The organization is set up thusly Even sad feelings have a happy outcome in the cinema It is about finding comfort In the 19th century the opera house was the home to feelings An overwhelming majority of operas had a tragic end You observed a victim I am convinced that there is a more adventuresome combination Feelings in both the opera and traditional cinema are powerless in the face of destinys might In the 20th century feelings barricaded themselves behind this comfort in the 19th century they entrenched themselves in the validity of the lethal seriousness
